Curator and Exhibition Team

Curator: Jack R. Gannon
Project Director: Jean Lindquist Bergey
Exhibition Design: Hank Grasso Planning & Design, Inc.
Design Consultant: Rosalyn L. Gannon
Researcher/Contributor: Douglas C. Baynton, Ph.D.
Researcher/Curatorial Advisor: Michael J. Olson
Image Archive Manager: Geraldine M. Frank
Film/DVD Producer: Sandy White
Exhibition Website Designer (2004): Shelby Jia
Deaf Eyes Project Digital Outreach Manager: Shane Dundas

Contact Information : History Through Deaf Eyes is managed by the National Deaf Life Museum at Gallaudet University. For further information contact: Meredith Peruzzi, Manager, museum@gallaudet.edu.

About the Project
Gallaudet University created the “DEAF EYES” project to bring Deaf history to the public and expand our understanding of United States history. The project is multi-faceted and includes the:

Gallaudet University produced the exhibition, book, poster series, and this website.

About the Documentary

The two-hour PBS documentary film, Through Deaf Eyes, is a production of WETA Washington, D.C. and Florentine Films/Hott Productions, Inc. in association with Gallaudet University. 

Created by Lawrence Hott and Diane Garey, the film aligns the broad sweep of U.S. history with the experiences of Deaf people, showing how major social, economic, and technological shifts in America have changed Deaf lives. It is propelled by the stories of people both eminent and ordinary and conveys a broad range of perspectives on what it means to be deaf. Narrated by Stockard Channing, the film presents the story of Deaf life in America - a story of conflicts, prejudice and affirmation that reaches the heart of what it means to be human. A Deaf cinematic lens is brought to the documentary by six contributing filmmakers: Wayne Betts, Jr., Kimby Caplan, Arthur Luhn, Adrean Mangiardi, Tracey Salaway, and Rene Visco.

Major funding for the documentary was provided by the National Endowment for the Humanities, the Corporation for Public Broadcasting, PBS, The Annenberg Foundation and the National Endowment for the Arts. Additional funding was provided by Sign Language Associates, and Richard and Gail Elden.